

CURRENT PROJECTS
1954
Born in Innsbruck, Austria
1977
City of Vienna Prize for the design of the Johann-Nestroy Ring
1978
MA applied art, University of Applied Arts, Vienna, Austria
1979
Artist's studio Knoellgasse 55, Vienna with Erwin Wurm, Anna Heindl and Manfred Walkolbinger
1982
Gallery V&V, Vienna with Veronika Schwarzinger, Austria
1983
Theodor Körner Prize, Vienna
1989
MAK, Museum Applied/Contemporary Arts, Vienna, Austria
1996
Fondation Beyeler, Basle, Switzerland
2006
Museum for Design, Zuerich, Switzerland
2009
Studio Hannes Wettstein with Simon Husslein, Zuerich
2010
TDIC, Tourism and Investment Company Guggenheim Abu Dhabi, United Arab Emirates
2016
DCTAD.Department of Culture and Tourism Abu Dhabi, UAE
2018
Domaine de Boisbuchet #mebody ,France
Promising Paradise, Palais Dorotheum Vienna, Austria
2021
Draft contemporary Gulf Exhibition @KBH.G,Basle Dirwaza LAB
2022
A mind of their own, Jewelry from Austria, Museum Angerlehner, Austria
2023
Evaporating Suns, contemporay myths from the Arabian Gulf, KBH.G, Basle, Switzerland
Where to now? Gallery Krinzinger- Schottenfeldgasse, Vienna
Artist-studio Goldschlag projects
2024
Beyond Adorment,Seoul Museum of craft art, Korea
2025
freelance projects
Verena Formanek is an international Curator, artist and former Senior Project Manager for the Guggenheim Abu Dhabi,designed by Frank Gehry, and worked in the Tourism Development and Investment Company(TDIC) and Department of Culture and Tourism Abu Dhabi(DCTAD).
She is currently based in Zürich, Basle and Vienna, working as a freelance curator, collection and museum advisor and artist.Previously, she managed the development and strategic implementation of the Guggenheim Abu Dhabi, overseeing curatorial, architectural, structural, financial, and organizational aspects of the project. Her role included strategic planning for the pre-opening of the Abu Dhabi Cultural District, envisioned as the world’s largest concentration of museums.
Before joining TDIC’s Cultural Department, Formanek was the Director of Collections at the Museum for Design, Zürich, where she established a competence center for its four major collections: arts and crafts, graphic design, poster collection, and design focused on swiss topics. She also developed the museum’s collection strategy, supervised acquisitions, and enhanced the public positioning of the collection in directing the publication named Wertewandel, published by Hatje-Cantz, the museum’s first catalogue raisonné of all it´s collection items, designed by Irma Boom. Additionally, she extended the public knowledge about the Swiss collections in featuring an exhibition named Every Thing Design presented by Atelier OI, Neuchatel.
From 1994, she served as Deputy Artistic Director of the Fondation Beyeler in Basle, Switzerland, working closely with Ernst Beyeler and Markus Brüderlin(+) in establishing the Foundation, designed by Renzo Piano. Her responsibilities included exhibitions, collection management, and institutional organization. In Vienna, she was Deputy Director of the MAK (Museum of Applied/Contemporary Arts) which reopened in 1993 after extensive renovations. She also led the cultural project management for renowned contemporary artist interventions within the museum’s permanent collection, collaborating with artists such as Jenny Holzer, Donald Judd, Günther Förg, Gangart,Heimo Zobernig, Gregor Eichinger, Manfred Wakolbinger and Barbara Bloom.